Press
FELIX NEUNZERLING, ZOOM MEDIENFABRIK BERLIN
I AM HERE celebrates its world premiere at the International Film Festival Rotterdam. Great! I got to know and appreciate Ludwig Wüst in 2009 at the Hofer Filmtage. He presented his film "Koma" and immediately caused debates...
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I AM HERE! at IFF Rotterdam
Ludwig Wüst is a veritable phenomenon of Austrian cinema — an outsider who delivers at least one fiction feature per year...
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Theatrical Release
From March 3 to 20, 2022 Ludwig Wüst's new film 3.30 PM is running in Metro Kinokulturhaus of the Filmarchiv Austria in Vienna...
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Best Cinematography Diagonale 2021
Ludwig Wüst receives Award for Best Cinematography of a Feature Film for 3.30 PM at the Diagonale...
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Neil Young (uk critic / curator, viennale 2020)
A new work of deceptive formal complexity and surprising emotional depth from prolific writer-director-producer-cinematographer Ludwig Wüst (KOMA, Viennale 2009). Essentially a walking-and- talking two-hander in which...
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Inheriting the dogma spirit (sung moon, jeonju Iff)
Two friends, Martin and Anthony, meet after 15 years, share memories and reflect on their present lives...
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Statement Neil Young, Sight & Sound
“Ranks highly among the most distinctive, dryly humorous and memorably atmospheric narrative features from Austria in the current decade. Wüst is a true one-off.“
Serpentines of the soul, der Tagesspiegel
Ludwig Wüst's “Departure“ is defined by reduction: one day, two characters, three locations. It's a road movie of the soul...
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Statement Werkstattkino München, Bernd Brehmer
“With it's emblematic visual language, the film appears like an japanese ink drawing, the minimalistic narrative as a filmed haiku.“
InTERVIEW WITH KARIN SCHIEFER, AFC
“I move around in a picture”. In Ludwig Wüst’s Departure two strangers reach a tacit understanding to journey together for a time, which leads them to a radical turning point...
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Berlinale Programme 2018
Two broken souls meet by chance in the countryside. A man and a woman, neither of them young anymore, both saddled with great disappointments...
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Cries and Whispers. Ludwig Wüst's DEPARTURE towards the last things
In the
beginning, there is a cry, an enduring, angry cry thrust against the flogging
rumbling of a train. It arises from the depths of an irrepressible breast and
plays out as the first powerful tonal apex of Ludwig Wüst's newest film...
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